Since living in The Netherlands, Jelle has been fascinated by Japanese indigo and Tohoku boro (rags) culture. After arriving in Japan in 2022, Jelle started collecting boro fabrics and studying how they were repaired. This led to learning sashiko hand stitching and repairing many fabrics himself. To get a better understanding of the dyeing process, he studied indigo (Aizome) in Tokushima, one of the birthplaces of Japanese indigo and still the biggest producer in Japan to this day. Jelle is hoping to reinvigorate and spread Japanese boro culture by repairing damaged fabrics and giving them a new life.

Mekaru Yuka first encountered Edo-moji through her love for rakugo (traditional Japanese comic storytelling), becoming intrigued by the Yose-moji typeface used in the performing art form. She decided to study all aspects of Yose-moji under Tachibana Ukitsu, through Arakawa's Master Craftsman Training Program. As a result of her training, she is permitted to use the names "Satsuki Tachibana" for Yose-moji and "Mitsuki Arai" for Kantei-ryu Kabuki-moji. Being able to use these names is of high importance in Japan. Additionally, Mekaru Yuka is actively committed to conveying and spreading the charm of the Yose-moji and Kantei-ryu styles by participating in workshops, exhibitions and tutoring.

Takumi was born into a dyeing family that has continued since his great-grandfather's generation. Being fascinated with his father’s dyeing skills, he entered the world of dyeing after a short career as a businessman.

After working in the dyeing industry for a while, he discovered the beauty of handmade work and dedicated himself to preserving the long-lasting tradition of dyeing that should not be allowed to disappear. Takumi continues to challenge himself to find new ways of introducing the charm of dyeing to new generations while preserving the traditional craft.